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Is there a new Queen of electro-pop on the horzizon? One listen to Little Boots’ infectious single “New In Town” and it’s not hard to see a battle with Lady GaGa looming on the horizon.
While we all wait for a new album from the on-hiatus System Of A Down, frontman Serj Tankian has been keeping busy working on solo material. The Charade come from his new live album Elect The Symphony, recorded with the Auckland Philharmonia Orchestra.
When is something old new again? When it’s a brand new single from Jimi Hendrix. “Valleys Of Neptune” was recorded between 1969 and 1970 and is the title track to the new posthumous studio album.
What could very be the final single from the legendary Johnny Cash. The title track to American VI: Ain’t No Grave is a stompin, acoustic country dirge that’s as timeless as the voice that sings it.
American Idol contestant Tim sang Matt Nathanson’s “Come On Get Higher” last week. You can find the song on Nathanson’s 2007 album Some Mad Hope.
This is the title track and first single from singer-songwriter Matthew Barber’s fourth studio album. Highly recommended for fans of Neil Young and Ron Sexsmith.
Window Seat is the first single from Erykah Badu’s forthcoming album New Amerykah Part Two (Return Of the Ankh), and has the soulful grooves that made her famous in the first place.
Airbourne would be Australia’s answer to AC/DC if AC/DC wasn’t from Australia. No Way But The Hard Way is the rocking new single from the band’s upcoming second album, No Guts, No Glory.
This digitial only compilation features some of Eric Clapton’s best music from the 80’s and 90’s, including an in-concert version of “Layla” and “I’ve Got A Rock ‘N’ Roll Heart”, currently being featured in a phone commercial near you.
Sade’s first studio album in 10 years is a huge success, thanks in no small part to the brilliance of the title track. Familiar and fresh, all at the same time.
Mumford & Son are the buzz band of the day, and it all started with Little Lion Man from their debut album Sigh No More. Folk pop that’s sure to get under your skin.
Avril Lavigne’s single from the Alice In Wonderland soundtrack has just the slightest hint of madness to it, and that’s not a bad thing at all. It would probably be playing at a tea party hosted by the Queen Of Hearts.